The project photo/carto/historio/graphies catalogue-book "Mapping Lithuanian Photography: Histories and Archives" has been published in the begining of 2008. In 224 pages billingual (English and Lithuanian) book you can find texts and unfoldable maps. It can be acquired through contacting the publisher MENE - vytautas@3xpozicija.lt or in www.amazon.com
The second project called "Mapping Lithuanian Photography: Histories and Archives" (working title "photo/carto/historio/graphy") is starting up. It comprises of two exhibitions, a weblog and a book which acts both as a catalogue of the exhibitions and as a wider context (reader) for the project. The community of curators, artists, architects and designers are developing maps and objects for the exhibition which is going to be launched in December 2007. More information in English is coming soon.
Nearly 150 comments from this weblog were printed on 2-4 meters rolls of paper and exhibited during exhibition. They were printed on old-style perforated roll paper with 24 Pin Dot Matrix Printer. The exhibited comments had not not only informative function but they 
merely acted as a reference to weblogical nature of the exhibition. The comments showed the openess of the curating process and its availability to the public involvement.
(Post)photography is
a special issue of periodical magazine "fotografija"
2006, Nr. 2/13, Vilnius, Lithuania
download magazine in PDF
editor Vytautas Michelkevičius
designer Tomas Mrazauskas
Table of Contents
[02.] Vytautas Michelkevičius Introduction: Curiosity and Questioning
[04.] Agnė Narušytė The Trace of Postphotography in
Lithuania: Explorations In the Local Context
[16.] Searching for “Post” in Photography and Thinking: What’s Going to Be
After Contemporary Art…? (Interview with Niclas Östlind)
[24.] http://www.3xpozicija.lt//: about public curatorship and community
impact on the artwork creation and exposition
[30.] Comments on Comments: about exhibition comments@3xpozicija.lt
[40.] Photography’s Expanded Field and the Role of Photography Specific Institutions
in the Contemporary Art Scene (interview with Jonas Ekeberg)
[54.] Valentinas Klimašauskas How to Rob a Bank and Remain Unrecognized by Witnesses
[62.] Chronicle of Union of Lithuanian Art Photographers
Artists’ pages
[13.] Gintaras Didžiapetris
[37.] Tomas Čiučelis
[51.] Milda Zabarauskaitė, Robertas Narkus
[59.] Akvilė Anglickaitė
Publisher V.Į. Lietuvos fotomenininkų sąjungos fotografijos fondas,
ISSN 1648-7273;
supported by Lietuvos Respublikos kultūros ir sporto rėmimo fondas
It seems that the time has already come for the division of gallery space. I upload the gallery plan with the marked space that I would need. Gintaras, tell me if we will be able to share the same wall. I guess your photographs should not conflict with my texts. The projection might take up about 2,5×2 meters. If this location proves to be inadequate - i.e. if the projection will be hard to see in the usual lightning of the gallery – then it will have to be placed in the darkest corner (I have marked it in the plan as well).
a lot of walking in two cities. a bat-shaped labyrinth. the transplantation of the city’s sounds. even if you record something in one place, you drop it in the other. an invalid www link on the CD cover. representation form is left to the curator’s decision.More about the project http://www.bumstein.com/art/thebat_description.html
In the context of postphotography, I am mostly interested in the idea and practice of myth deconstruction. In this case, I choose the most popular and unquestionable myth that “photography is the art of the instant”. Video means are usually employed for “violating” the duration, while I offer to fake the photograph itself. The same frame is shot [24 photographs of the same place are taken over the course of 6 hours], then they are merged into one image, thus 6 hours are condensed into one instant in the resulting photograph.
Everybody is welcome to register (entering their nickname, name and surname, and e-mail – the latter will not be publicly available) and participate in creating the community. This community will carry out the curation of the exhibition scheduled for October, and will create the context for it. The curation of the exhibition is a public process that every member of the community can contribute to by writing messages, sharing experience, offering themes fitting the exhibition’s conception, as well as commenting on and criticising the already submitted material. If you have any questions, write an e-mail to vytautas(at)3xpozicija.lt
The exhibition exploring states of photography took place in 1994-1997 and traveled through several famous museums around the world. The review of the exhibition and its catalogue can be found here. The article titled “Photography after photography: terror of the body in the digital space” by one of the exhibition’s curators Hubertus v. Amelunxen can be found here. This exhibition attempted to get a view of photography in the beginning of the digital technology intervention era, thus many of its insights appear self-evident now.